José Basso y su Orquesta Typical and Alfredo Ruiz Floreal Belusi 
Stephen
Figure Calamucha is central to the history of tango, especially his relationship with Jose "Pepe" Basso. In the 40's Calamucha returned to Argentina after four years. Escaped from his addiction to heroin, which had tried to Miles Davis in New York. On the plane he realized it was Sunday, so surely play Platense. Esteban takes years to take over the administration of Barca so their roots still in force. As a good man, Esteban went to see the squid ever, even on the road, so off the plane took a remis to the pillbox, where his beloved Boca Platense face.
(José Basso and Stephen Calamucha in 1957) That game would be decisive for the history of our music, because in the meantime Stephen had to go to the bathroom the local team's dressing room as the the gallery was closed. There was a fight with one player, who was vomiting Irish coffee in the only toilet. That player was José Hipólito Basso, future pianist in the orchestra of Anibal Troilo. After the dispute over health, Stephen was finally able to pee, act during which he sang a tango he had composed with Miles. Basso was amazed and agreed to a meeting next week. That was how Stephen became a secret collaborator of the major orchestras of the 40's and 50's, even to travel to Japan in 1959 to be interviewed by investigators Nippon interested in making a history of tango.
The rest is history ...
(José Esteban Basso caressing) Chúpense this tangerine, then. Tango comes to the blog, dammit.
The orchestra Joseph Basso (piano) accompanied by two great singers, and Alfredo Ruiz Floreal Belusi. Biography
José Basso
Floreal
Biography Biography
Belusi 1) On Tour (Cadicamo Enrique Domingo / Tinelli Jose)
2) De Puro Guapo (Fernandez Diaz / Rafael Iriarte)
3) Old Friend (Contursi Jose Maria)
4 ) cowardice (Luis Cesar Amadori / Charlo L.)
5) After The Carnaval (Amuchastegui / Keen Ja)
6) El Ultimo Guapo (Abel Aznar)
7) The Jane Doe (Carusito / Mastra Alberto)
8) Let Me Importa Your Past (Gimenez Roberto / Retama.)
9) Let's dance (Pascual Mamone Cholo / Yiso Reynaldo)
10) Pleasure (Romeo Vicente)
11) Reminder (Guillermo Barbieri and De Grandis Jose)
12) Let's stay here (Exposito Homero Aldo / Stamponi Hector)
13) Dream Malevo (Aznar Abel / Riel)
14) dying of Love (Carlos Bahr / Sucher Manuel Bernardo)
15) And ... No Le Erre (Aznar Abel / Olmedo.)
16) The Grid (Marcucci Carlos / Meaños Manuel A.)
Photographer: Juan De Los Mares 
Photographer: Juan De Los Mares 
pituca a party, as everything went up. He 
Stephen 
(José Basso and Stephen Calamucha in 1957) 
(José Esteban Basso caressing) 
calamucheños 
Pastor Oviedo aka P.O (1990-?) 
First of all, always good to clarify, this is an album VERY sick. Reach the troughs of Stephen Calamucha reference to the eternal thanks Joe The Lion aka aka JV coolboy, a friend of this site and founding member of her fan club. Prior to our short snob, fried wikipedia and allmusic, such sa c god send, comment Valente child no more: 
It puts it on, be re placed. It goes so deep cuts (...) as the second album by the band but I do not doubt that holds its own. 11 songs more than kind. To listen to the skateboard, lift or elephant. Stephen was manager of the band until he was fired in 2003 for an incident with Mariah Carey. Ungrateful. To see if the fools you are doing. 
This album is recommended Jonny Greenwood dead air space in February last year when he went to see a concert of band, which met in 2009 and toured England. He had no more influence guitarist John McGeoch (was not on tour because he died in 2004) so \u200b\u200bI went down to see what happened and is pretty good. 
